This is a book about Akira - the manga of 1982-90 and the movie of 1988, and about the creator of Akira, the genius artist Katsuhiro Otomo (b. 1954).

Publisher Marketing: CONTENTS Acknowledgements 10 Picture Credits 10 PART ONE: KATSUHIRO OTOMO 01 Katsuhiro Otomo 16 02 Some of Katsuhiro Otomo's Manga Works 57 PART TWO: THE AKIRA MOVIE 01 Introduction: Some Reasons Why Akira Is a Masterwork 124 02 Akira and the Japanese Anime Industry 129 03 Akira: Production 154 04 Akira: Characters 173 05 Akira: Themes and Issues 210 06 Akira: The Story of Akira 243 07 Akira: The Style of Akira 277 08 Some of Katsuhiro Otomo's Works In Cinema 288 PART THREE: THE AKIRA MANGA 01 Akira: The Manga 337 02 The Story of the Akira Manga Akira Book 1 358 03 Akira Book 2 383 04 Akira Book 3 417 05 Akira Book 4 453 06 Akira Book 5 524 07 Akira Book 6 585 APPENDICES Moebius - Sky Blue 725 Resources 733 Critics On Akira 739 Fans On Akira 741 Katsuhiro Otomo: Filmographies 743 Katsuhiro Otomo: Manga Works 749 Bibliography 750 Brief Description : "The companion book, The Art of Katsuhiro Otomo, contains further explorations of Otomo's art."--Acknowledgements page. Publisher Marketing : THE AKIRA BOOK KATSUHIRO OTOMO: THE MOVIE AND THE MANGA: A CRITICAL STUDY by Jeremy Mark Robinson This is a book about Akira - the manga of 1982-90 and the movie of 1988, and about the creator of Akira, the genius artist Katsuhiro Otomo (b. 1954). There are very few genuine auteurs in Japanese animation: the animation industry, like all filmmaking on a large scale, is truly collaborative. However, you can definitely see elements in the films directed and written and supervised by Katsuhiro Otomo that are auteurist: Otomo has his own style, visually, but also his own concerns, thematically, politically and psychologically. Akira is a GIANT of a movie that opens at full blast: this movie rocks from shot one. It really rocks - at a far higher level of intensity than any comparable movie, including all of the classics regularly trotted out as hi-octane movie-making. Akira is clearly one of those movies where the filmmakers have thrown everything they can think of into the mix, and it's a movie in which the film-makers have given their all. Meanwhile, the manga of Akira exceeds all expectations - about storytelling, about what a comicbook or manga is, about how an action-adventure-fantasy story can work in a contemporary setting, and how a story can be genuinely thrilling, genuinely political, genuinely wild and epic. In short, Akira ticks all of the boxes: (a) it has action and spectacle in spades, (b) it has fascinating characters and situations, (c) it is incredibly exciting, (d) it is very unusual, sometimes downright eccentric and out-there, (e) it is highly politicized, (f) it has plenty to say about living in the modern world, about contemporary, advanced capitalist societies, and (g) it establishes its own world, its own raison d'etre, its own philosophy with supreme self-confidence. Akira is the manga to top all manga, to end all manga. It is a manga designed to go further, louder and crazier than any other manga. And it does! Akira delivers on its promise: it really is every bit as great as everybody says it is. Volume one of the manga of Akira was published in Young Magazine in 1982-83, by Kodansha (one of the big three among manga publishers in Japan - the other two are Sogakkan and Shueisha), when Katsuhiro Otomo was 28. The Akira Book includes chapters on: Katsuhiro Otomo's other manga and movies; his inspirations and influences; the contemporary anime industry; and a section of the views of critics and fans. Every aspect of the Akira movie is explored (animation, sound, music, voices, story, themes, etc). Fully illustrated, including many images of the Akira movie, the Akira manga, Otomo's other works in comics and cinema, Otomo's inspirations, etc. Bibliography, resources and notes. With a full colour laminate hardcover. 760 pages. www.crmoon.com Contributor Bio: Robinson, Jeremy Mark Thomas Hardy, André Gide and D.H. Lawrence. Robinson has edited poetry books by Novalis, Ursula Le Guin, Friedrich Hölderlin, Francesco Petrarch, Dante Alighieri, Arseny Tarkovsky, and Rainer Maria Rilke. Books on film and animation include: The Cinema of Hayao Miyazaki - Hayao Miyazaki: Pocket Guide - Princess Mononoke: Pocket Movie Guide - Spirited Away: Pocket Movie Guide - Pasolini: Il cinema di Poesia/ The Cinema of Poetry - The Art of Masamune Shirow (3 volumes) - The Ghost In the Shell Book (2 volumes) - Fullmetal Alchemist - Blade Runner and the Cinema of Philip K. Dick - Blade Runner: Pocket Movie Guide - The Cinema of Donald Cammell - Performance: Donald Cammell: Nic Roeg: Pocket Movie Guide - Ken Russell: England's Great Visionary Film Director and Music Lover - Tommy: Ken Russell: The Who: Pocket Movie Guide - Women In Love: Ken Russell: D.H. Lawrence: Pocket Movie Guide - The Devils: Ken Russell: Pocket Movie Guide - Walerian Borowczyk: Cinema of Erotic Dreams - The Beast: Pocket Movie Guide - The Lord of the Rings Movies - The Fellowship of the Ring: Pocket Movie Guide - The Two Towers: Pocket Movie Guide - The Return of the King: Pocket Movie Guide - Jean-Luc Godard: The Passion of Cinema - The Sacred Cinema of Andrei Tarkovsky - Andrei Tarkovsky: Pocket Guide.

Format: Hardcover | Pages: 760 | Publication Date: 2017-11-03