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Young Adult Comics and Paradigm Shift Biographical Note : Robert Aman is a Senior Associate Professor in Education at Linköping University, Sweden. He primarily conducts research on ideology and the politics of representation in comics. Lars Wallner is an Associate Professor at Linköping University, Sweden, working in the field of Pedagogic Practices. His research explores the use of comics, games and popular fiction, mainly regarding education and social interaction. Publisher Marketing : Comics and Norm-Critical Pedagogy: Gender, Sexuality, and Cultural Identity explores how comics can challenge societal norms and serve as powerful tools for critical education. It is ideal for both students and researchers in comics studies, education, gender and sexuality studies, and the broader social sciences.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover | \u003cstrong\u003ePages:\u003c\/strong\u003e 140 | \u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2026-02-03\u003c\/p\u003e","brand":"Routledge","offers":[{"title":"Hardcover","offer_id":47192505942242,"sku":"9781041019336","price":190.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0023\/0005\/1501\/files\/9781041019336.jpg?v=1765259787"},{"product_id":"9781968566487","title":"Fame: Action Stars: The Sequel: Mel Gibson, Jason Momoa, John Cena \u0026 Hugh Jackman","description":"\u003cp\u003e\"FAME: Action Heroes\" dives into the lives and careers of four of Hollywood's biggest action stars: Keanu Reeves, Ryan Reynolds, Arnold Schwarzenegger, and Dwayne Johnson. 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List of contributors . Series editor's preface. Acknowledgements Introduction Drawing War 1 Fascism at War: Italian Comics and Propaganda in L'Avventuroso 2 Aspects of War and its social impact in Brazil during World War II 3 Red Scare Heroes: Superhero Comics and American Ideology, 1947-1960 4 ANZACS \u0026amp; AUKUS: The Impacts of War on Australian Comics 5 Ink, Blood, and Borders: Navigating the Landscape of India's Partition through This Side, That Side and War Comics 6 \"So Put Down Your Books and Pick Up a Gun\" American War Comics and the American Intervention in Vietnam, 1954-1973 7 Thanatopolitics: Violence and Death in Syrian Civil War Comics 8 War Retrospectives, Unforgotten Protagonists, Graphic Legacies: Making History Public from the First World War to VJ Day and Beyond 9 \"What if...?ˮ Counterfactual History in Kaiji Kawaguchi's Zipang 10 Merging Fact \u0026amp; Fiction in War Comics: Diversity, Identity and Social Injustice 11 'My Mate, Sir. My mate Ginger' Representing trauma in Charley's War. Index. Biographical Note : Stephen Connor is Associate Professor of History and Associate Director of the Centre for the Study of State Violence at Nipissing University (ON, Canada). His research and publications are focused on popular culture, war comics, collective memory, and representations of conflict. Harriet E.H. Earle is Senior Lecturer in English and Film at Sheffield Hallam University and Research Fellow at the Centre for the Study of State Violence at Nipissing University (ON, Canada). She is the author of Silence in the Quagmire: US Comics of the Vietnam War (2025), Comics, Trauma, and the New Art of War (2017), and Comics: An Introduction (2020). Publisher Marketing : Battle Lines Drawn: War Comics Since 1914 delves into the rich and diverse history of war comics, exploring how the medium represents and reflects upon global conflicts from World War I to the modern era. It critically analyses how war narratives in comics intersect with historiography, popular culture, and evolving societal perceptions of conflict. Through a broad range of chapters, including both Western and non-Western war comics, the volume offers an inclusive perspective and addresses questions such as: How do war comics depict historical conflict events, and what are their limits? How have changing formats (e.g., long-form comics) opened new spaces for storytelling within the genre? And what cultural, ideological, and emotional dimensions do war comics navigate? The book highlights not only the historical scope of war comics but also their relevance in contemporary discussions about identity, diversity, and global conflict. It balances theoretical explorations with analyses of specific texts to examine how these works reflect and shape cultural understandings of war while grappling with themes such as patriotism, trauma, political ideologies, and marginalised perspectives. 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List of contributors . Series editor's preface. Acknowledgements Introduction Drawing War 1 Fascism at War: Italian Comics and Propaganda in L'Avventuroso 2 Aspects of War and its social impact in Brazil during World War II 3 Red Scare Heroes: Superhero Comics and American Ideology, 1947-1960 4 ANZACS \u0026amp; AUKUS: The Impacts of War on Australian Comics 5 Ink, Blood, and Borders: Navigating the Landscape of India's Partition through This Side, That Side and War Comics 6 \"So Put Down Your Books and Pick Up a Gun\" American War Comics and the American Intervention in Vietnam, 1954-1973 7 Thanatopolitics: Violence and Death in Syrian Civil War Comics 8 War Retrospectives, Unforgotten Protagonists, Graphic Legacies: Making History Public from the First World War to VJ Day and Beyond 9 \"What if...?ˮ Counterfactual History in Kaiji Kawaguchi's Zipang 10 Merging Fact \u0026amp; Fiction in War Comics: Diversity, Identity and Social Injustice 11 'My Mate, Sir. 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For the first time this unforgettable classic has been given new life with Aimâee de Jongh's graphic style and gorgeous color adaptation.\"--Provided by publisher.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePublisher Marketing\u003c\/strong\u003e: \" Lord of the Flies is one of my favorite books. I still read it every couple of years.\" --Suzanne Collins, author of The Hunger Games trilogy \"The first book with hands - strong ones that reached out of the pages and seized me by the throat. It said to me, 'This is not just entertainment; it's life or death.' ... I've been thinking about it ever since, for fifty years and more.\" --Stephen King \"This brilliant work is a frightening parody on man's return [in a few weeks] to that state of darkness from which it took him thousands of years to emerge. Fully to succeed, a fantasy must approach very close to reality. Lord of the Flies does. It must also be superbly written. 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Publisher Marketing : For the 70th anniversary of William Golding's classic, the first graphic novel adaptation of Lord of the Flies The original tale of stranded youth devolving into disorder that inspired Yellowjackets and The Hunger Games , now a Penguin Classics Hardcover The well-known plot: A plane crashes on a desert island. The only survivors are a group of schoolboys. By day, they explore the dazzling beaches, gorging fruit, seeking shelter, and ripping off their uniforms to swim in the lagoon. At night, in the darkness of the jungle, they are haunted by nightmares of a primitive beast. Orphaned by society, they must forge their own; but it isn't long before their innocent games devolve into a murderous hunt ... William Golding's Lord of the Flies was originally published in 1954 and has been a canonical text on school syllabi and a familiar literary reference within the public's consciousness. 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But Mori's joy at being in the mountains again is tempered by his knowledge that humans are more treacherous than any peak.\"--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePublisher Marketing\u003c\/strong\u003e: Shin'ichi Sakamoto debuted as a manga artist in 1990. His series The Climber and Innocent have both won the Excellence Award at the Japan Media Arts Festival. His series #DRCL midnight children is also available in English from VIZ Media. Jiro Nitta was a Japanese novelist and meteorologist. Born in 1912, he pioneered the field of mountain novels, writing while working at the Central Meteorological Observatory. Nitta won the 1955 Naoki Prize for Goriki Den . His other works include The Climber and Death March on Mount Hakkoda . Publisher Marketing : The harder you climb, the higher you live. Buntaro Mori is a loner, but being alone in a crowd is almost as bad as being forced to fit in. 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